Jill and her husband Steve are converting an old stone barn on their property into a small rental home, and we awoke to find Steve supervising the workmen and a concrete truck preparing to pour the first layer of a new floor for the barn and Jill hunting around for all the supplies she needed for her homemade jam stall at the church market. After breakfast Pop and I headed out to find Tintern Abbey, with its ruined 13th Century church. I wanted to see it both because of its fame in literature (poem texts at the end of today's entry) and because some of the photos I had seen of it were hauntingly beautiful. As is my habit, we got lost a few times, but made it there in the end. We were doing our best to follow the Googlemap instructions, then saw a sign to Tintern, so I followed it--down a narrow country lane. I knew immediately that that wasn't the route Google had in mind, but I figured the sign knew what it was talking about. And it did, but the road was closed--handily enough right at a remote B&B/pub. So I stepped into the pub to ask for directions--a dark, low-ceilinged room with every inch of ancient beam and wall hung with bric-a-brac and every level surface piled with stuff. Two dogs, five or six men, old and young, joking around the bar. When I opened the door, one of the dogs bolted out. One of the men whistled and yelled, "Get back here girl!" and then was worried that I would think he meant me. They were the first folks I have asked for directions who have seemed to know where I was and how I should get to where I wanted to go and could explain it in a way that made sense to me, even though the instructions were complicated. Pop was dubious as I zipped round corners and down questionably labeled lanes, but we came out right at the Abbey.
After I had wandered about quietly for an hour or so, it occurred to me that Pop might have lost interest and be worrying, so I went looking and found him sitting on a bench in the sun. I've never been terribly keen on the Romantic poets, and Wordsworth's Tintern Abbey is rather long, but it seemed appropriate to read at least some of the Tintern-inspired poems while sitting there, so I booted up the netbook and read Tennyson's Tears, Idle Tears and a longish bit of Ginsberg's Wales Visitation squintingly aloud. The Tennyson brought tears to my eyes, but I'm afraid I gave up on the Ginsberg at:
Monks' Day Room |
Warming Room Ceiling (only room with heat in winter) |
Through Crossing into Presbytery |
Presbytery and South Aisle |
North Transept |
North Transept |
Presbytery and East Window |
Presbytery and North Aisle |
West Window |
Looking Across Transepts South to North |
Looking into Aisles and Presbytery from the South |
Looking into Aisles and Presbytery from the South |
Northeast Intersection (Exterior) |
Great East Window (from exterior) |
After I had wandered about quietly for an hour or so, it occurred to me that Pop might have lost interest and be worrying, so I went looking and found him sitting on a bench in the sun. I've never been terribly keen on the Romantic poets, and Wordsworth's Tintern Abbey is rather long, but it seemed appropriate to read at least some of the Tintern-inspired poems while sitting there, so I booted up the netbook and read Tennyson's Tears, Idle Tears and a longish bit of Ginsberg's Wales Visitation squintingly aloud. The Tennyson brought tears to my eyes, but I'm afraid I gave up on the Ginsberg at:
smelling the brown vagina-moist ground, harmless,
tasting the violet thistle-hair, sweetness—
Somehow I wasn't up to reading that bit aloud amid the swooping, squeaking swallows and the meditatively treading tourists in a quiet, once holy place.
[While hunting for the texts of the poems, I came across a YouTube clip of Ginsberg reading Wales Visitation to William F Buckley, Jr. during a 1968 Firing Line interview. http://www.youtube.com/watch?v=eKBAJYceQ54 During that interview, he also sang Hare Krishna to Buckley while accompanying himself on the harmonium!]
Jill's church market was to finish at 1PM, so we headed north to Monmouth to meet her there and say goodbye, as Pop wanted to return the Skoda while the rental place was still open, since he has had problems occasionally when dropping cars off after hours, and it had acquired a hedgerow scratch before I had gotten a good sense of its perimeter. An uneventful drive north to the Manchester airport, and, God willing, an uneventful flight back home tomorrow.
[While hunting for the texts of the poems, I came across a YouTube clip of Ginsberg reading Wales Visitation to William F Buckley, Jr. during a 1968 Firing Line interview. http://www.youtube.com/watch?v=eKBAJYceQ54 During that interview, he also sang Hare Krishna to Buckley while accompanying himself on the harmonium!]
Jill's church market was to finish at 1PM, so we headed north to Monmouth to meet her there and say goodbye, as Pop wanted to return the Skoda while the rental place was still open, since he has had problems occasionally when dropping cars off after hours, and it had acquired a hedgerow scratch before I had gotten a good sense of its perimeter. An uneventful drive north to the Manchester airport, and, God willing, an uneventful flight back home tomorrow.
St Mary's, Monmouth |
Jill's Jams |
Four poems:
The first three inspired by visits to Tintern Abbey.
The fourth having nothing whatsoever to do with Tintern Abbey,
but associated with it in my mind because of the word Poe uses to describe the ringing of the bells.
William Wordsworth, 1798
LINES
WRITTEN A FEW MILES ABOVE
TINTERN ABBEY,
ON REVISITING THE BANKS OF THE WYE DURING
A TOUR,
July 13, 1798.
=====
LINES
WRITTEN A FEW MILES ABOVE
TINTERN ABBEY,
ON REVISITING THE BANKS OF THE WYE DURING
A TOUR,
July 13, 1798.
=====
Five years have past; five summers, with the length | |
Of five long winters! and again I hear | |
These waters, rolling from their mountain-springs | |
With a sweet inland murmur.*—Once again | |
Do I behold these steep and lofty cliffs, | |
Which on a wild secluded scene impress | |
Thoughts of more deep seclusion; and connect | |
The landscape with the quiet of the sky. | |
The day is come when I again repose | |
Here, under this dark sycamore, and view | 10 |
These plots of cottage-ground, these orchard-tufts, | |
Which, at this season, with their unripe fruits, | |
Among the woods and copses lose themselves, | |
Nor, with their green and simple hue, disturb | |
The wild green landscape. Once again I see | |
These hedge-rows, hardly hedge-rows, little lines | |
Of sportive wood run wild; these pastoral farms, | |
Green to the very door; and wreathes of smoke | |
Sent up, in silence, from among the trees, | |
With some uncertain notice, as might seem, | 20 |
Of vagrant dwellers in the houseless woods, | |
Or of some hermit's cave, where by his fire | |
The hermit sits alone. | |
Though absent long, | |
These forms of beauty have not been to me, | |
As is a landscape to a blind man's eye: | |
But oft, in lonely rooms, and mid the din | |
Of towns and cities, I have owed to them, | |
In hours of weariness, sensations sweet, | |
Felt in the blood, and felt along the heart, | |
And passing even into my purer mind | 30 |
With tranquil restoration:—feelings too | |
Of unremembered pleasure; such, perhaps, | |
As may have had no trivial influence | |
On that best portion of a good man's life; | |
His little, nameless, unremembered acts | |
Of kindness and of love. Nor less, I trust, | |
To them I may have owed another gift, | |
Of aspect more sublime; that blessed mood, | |
In which the burthen of the mystery, | |
In which the heavy and the weary weight | 40 |
Of all this unintelligible world | |
Is lighten'd:—that serene and blessed mood, | |
In which the affections gently lead us on, | |
Until, the breath of this corporeal frame, | |
And even the motion of our human blood | |
Almost suspended, we are laid asleep | |
In body, and become a living soul: | |
While with an eye made quiet by the power | |
Of harmony, and the deep power of joy, | |
We see into the life of things. | 50 |
If this | |
Be but a vain belief, yet, oh! how oft, | |
In darkness, and amid the many shapes | |
Of joyless day-light; when the fretful stir | |
Unprofitable, and the fever of the world, | |
Have hung upon the beatings of my heart, | |
How oft, in spirit, have I turned to thee | |
O sylvan Wye! Thou wanderer through the wood | |
How often has my spirit turned to thee! | |
And now, with gleams of half-extinguish'd though[t,] | |
With many recognitions dim and faint, | 60 |
And somewhat of a sad perplexity, | |
The picture of the mind revives again: | |
While here I stand, not only with the sense | |
Of present pleasure, but with pleasing thoughts | |
That in this moment there is life and food | |
For future years. And so I dare to hope | |
Though changed, no doubt, from what I was, when first | |
I came among these hills; when like a roe | |
I bounded o'er the mountains, by the sides | |
Of the deep rivers, and the lonely streams, | 70 |
Wherever nature led; more like a man | |
Flying from something that he dreads, than one | |
Who sought the thing he loved. For nature then | |
(The coarser pleasures of my boyish days, | |
And their glad animal movements all gone by,) | |
To me was all in all.—I cannot paint | |
What then I was. The sounding cataract | |
Haunted me like a passion: the tall rock, | |
The mountain, and the deep and gloomy wood, | |
Their colours and their forms, were then to me | 80 |
An appetite: a feeling and a love, | |
That had no need of a remoter charm, | |
By thought supplied, or any interest | |
Unborrowed from the eye.—That time is past, | |
And all its aching joys are now no more, | |
And all its dizzy raptures. Not for this | |
Faint I, nor mourn nor murmur; other gifts | |
Have followed, for such loss, I would believe, | |
Abundant recompence. For I have learned | |
To look on nature, not as in the hour | 90 |
Of thoughtless youth, but hearing oftentimes | |
The still, sad music of humanity, | |
Nor harsh nor grating, though of ample power | |
To chasten and subdue. And I have felt | |
A presence that disturbs me with the joy | |
Of elevated thoughts; a sense sublime | |
Of something far more deeply interfused, | |
Whose dwelling is the light of setting suns, | |
And the round ocean, and the living air, | |
And the blue sky, and in the mind of man, | 100 |
A motion and a spirit, that impels | |
All thinking things, all objects of all thought, | |
And rolls through all things. Therefore am I still | |
A lover of the meadows and the woods, | |
And mountains; and of all that we behold | |
From this green earth; of all the mighty world | |
Of eye and ear, both what they half-create,* | |
And what perceive; well pleased to recognize | |
In nature and the language of the sense, | |
The anchor of my purest thoughts, the nurse, | 110 |
The guide, the guardian of my heart, and soul | |
Of all my moral being. | |
Nor, perchance, | |
If I were not thus taught, should I the more | |
Suffer my genial spirits to decay: | |
For thou art with me, here, upon the banks | |
Of this fair river; thou, my dearest Friend, | |
My dear, dear Friend, and in thy voice I catch | |
The language of my former heart, and read | |
My former pleasures in the shooting lights | |
Of thy wild eyes. Oh! yet a little while | 120 |
May I behold in thee what I was once, | |
My dear, dear Sister! And this prayer I make, | |
Knowing that Nature never did betray | |
The heart that loved her; 'tis her privilege, | |
Through all the years of this our life, to lead | |
From joy to joy: for she can so inform | |
The mind that is within us, so impress | |
With quietness and beauty, and so feed | |
With lofty thoughts, that neither evil tongues, | |
Rash judgments, nor the sneers of selfish men, | 130 |
Nor greetings where no kindness is, nor all | |
The dreary intercourse of daily life, | |
Shall e'er prevail against us, or disturb | |
Our chearful faith that all which we behold | |
Is full of blessings. Therefore let the moon | |
Shine on thee in thy solitary walk; | |
And let the misty mountain winds be free | |
To blow against thee: and in after years, | |
When these wild ecstasies shall be matured | |
Into a sober pleasure, when thy mind | 140 |
Shall be a mansion for all lovely forms, | |
Thy memory be as a dwelling-place | |
For all sweet sounds and harmonies; Oh! then, | |
If solitude, or fear, or pain, or grief, | |
Should be thy portion, with what healing thoughts | |
Of tender joy wilt thou remember me, | |
And these my exhortations! Nor, perchance, | |
If I should be, where I no more can hear | |
Thy voice, nor catch from thy wild eyes these gleams | |
Of past existence, wilt thou then forget | 150 |
That on the banks of this delightful stream | |
We stood together; and that I, so long | |
A worshipper of Nature, hither came, | |
Unwearied in that service: rather say | |
With warmer love, oh! with far deeper zeal | |
Of holier love. Nor wilt thou then forget, | |
That after many wanderings, many years | |
Of absence, these steep woods and lofty cliffs, | |
And this green pastoral landscape, were to me | |
More dear, both for themselves and for thy sake. | 160 |
Footnotes.__________________________________________________________________________________
[4] * The river is not affected by the tides a few miles above Tintern.
[107] * This line has a close resemblance to an admirable line of Young, the exact expression of which I cannot recollect.
Alfred, Lord Tennyson, 1847
Tears, idle tears, I know not what they mean,
Tears from the depth of some divine despair
Rise in the heart, and gather to the eyes,
In looking on the happy Autumn-fields,
And thinking of the days that are no more.
Fresh as the first beam glittering on a sail,
That brings our friends up from the underworld,
Sad as the last which reddens over one
That sinks with all we love below the verge;
So sad, so fresh, the days that are no more.
Ah, sad and strange as in dark summer dawns
The earliest pipe of half-awakened birds
To dying ears, when unto dying eyes
The casement slowly grows a glimmering square;
So sad, so strange, the days that are no more.
Dear as remembered kisses after death,
And sweet as those by hopeless fancy feigned
On lips that are for others; deep as love,
Deep as first love, and wild with all regret;
O Death in Life, the days that are no more.
Tears from the depth of some divine despair
Rise in the heart, and gather to the eyes,
In looking on the happy Autumn-fields,
And thinking of the days that are no more.
Fresh as the first beam glittering on a sail,
That brings our friends up from the underworld,
Sad as the last which reddens over one
That sinks with all we love below the verge;
So sad, so fresh, the days that are no more.
Ah, sad and strange as in dark summer dawns
The earliest pipe of half-awakened birds
To dying ears, when unto dying eyes
The casement slowly grows a glimmering square;
So sad, so strange, the days that are no more.
Dear as remembered kisses after death,
And sweet as those by hopeless fancy feigned
On lips that are for others; deep as love,
Deep as first love, and wild with all regret;
O Death in Life, the days that are no more.
_________________________________________________________________________________
Allen Ginsberg, circa 1968
Trees moving in rivers of wind
The clouds arise
as on a wave, gigantic eddy lifting mist
above teeming ferns exquisitely swayed
along a green crag
glimpsed thru mullioned glass in valley raine—
Bardic, O Self, Visitacione, tell naught
but what seen by one man in a vale in Albion,
of the folk, whose physical sciences end in Ecology,
the wisdom of earthly relations,
of mouths & eyes interknit ten centuries visible
orchards of mind language manifest human,
of the satanic thistle that raises its horned symmetry
flowering above sister grass-daisies’ pink tiny
bloomlets angelic as lightbulbs—
Remember 160 miles from London’s symmetrical thorned tower
& network of TV pictures flashing bearded your Self
the lambs on the tree-nooked hillside this day bleating
heard in Blake’s old ear, & the silent thought of Wordsworth in eld Stillness
clouds passing through skeleton arches of Tintern Abbey—
Bard Nameless as the Vast, babble to Vastness!
All the Valley quivered, one extended motion, wind
undulating on mossy hills
a giant wash that sank white fog delicately down red runnels
on the mountainside
whose leaf-branch tendrils moved asway
in granitic undertow down—
and lifted the floating Nebulous upward, and lifted the arms of the trees
and lifted the grasses an instant in balance
and lifted the lambs to hold still
and lifted the green of the hill, in one solemn wave
A solid mass of Heaven, mist-infused, ebbs thru the vale,
a wavelet of Immensity, lapping gigantic through Llanthony Valley,
the length of all England, valley upon valley under Heaven’s ocean
tonned with cloud-hang,
—Heaven balanced on a grassblade.
Roar of the mountain wind slow, sigh of the body,
One Being on the mountainside stirring gently
Exquisite scales trembling everywhere in balance,
one motion thru the cloudy sky-floor shifting on the million feet of daisies,
one Majesty the motion that stirred wet grass quivering
to the farthest tendril of white fog poured down
through shivering flowers on the mountain’s head—
No imperfection in the budded mountain,
Valleys breathe, heaven and earth move together,
daisies push inches of yellow air, vegetables tremble,
grass shimmers green
sheep speckle the mountainside, revolving their jaws with empty eyes,
horses dance in the warm rain,
tree-lined canals network live farmland,
blueberries fringe stone walls on hawthorn’d hills,
pheasants croak on meadows haired with fern—
Out, out on the hillside, into the ocean sound, into delicate gusts of wet air,
Fall on the ground, O great Wetness, O Mother, No harm on your body!
Stare close, no imperfection in the grass,
each flower Buddha-eye, repeating the story,
myriad-formed—
Kneel before the foxglove raising green buds, mauve bells dropped
doubled down the stem trembling antennae,
& look in the eyes of the branded lambs that stare
breathing stockstill under dripping hawthorn—
I lay down mixing my beard with the wet hair of the mountainside,
smelling the brown vagina-moist ground, harmless,
tasting the violet thistle-hair, sweetness—
One being so balanced, so vast, that its softest breath
moves every floweret in the stillness on the valley floor,
trembles lamb-hair hung gossamer rain-beaded in the grass,
lifts trees on their roots, birds in the great draught
hiding their strength in the rain, bearing same weight,
Groan thru breast and neck, a great Oh! to earth heart
Calling our Presence together
The great secret is no secret
Senses fit the winds,
Visible is visible,
rain-mist curtains wave through the bearded vale,
gray atoms wet the wind’s kabbala
Crosslegged on a rock in dusk rain,
rubber booted in soft grass, mind moveless,
breath trembles in white daisies by the roadside,
Heaven breath and my own symmetric
Airs wavering thru antlered green fern
drawn in my navel, same breath as breathes thru Capel-Y-Ffn,
Sounds of Aleph and Aum
through forests of gristle,
my skull and Lord Hereford’s Knob equal,
All Albion one.
What did I notice? Particulars! The
vision of the great One is myriad—
smoke curls upward from ashtray,
house fire burned low,
The night, still wet & moody black heaven
starless
upward in motion with wet wind.
_________________________________________________________________________________
Edgar Allen Poe, circa 1845
The Bells
I
Hear the sledges with the bells -
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells -
From the jingling and the tinkling of the bells.
II
Hear the mellow wedding bells -
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight! -
From the molten - golden notes,
And all in tune,
What a liquid ditty floats
To the turtle - dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! - how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells -
Of the bells, bells, bells, bells,
Bells, bells, bells -
To the rhyming and the chiming of the bells!
III
Hear the loud alarum bells -
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now - now to sit, or never,
By the side of the pale - faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear, it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells -
Of the bells -
Of the bells, bells, bells, bells,
Bells, bells, bells -
In the clamor and the clanging of the bells!
IV
Hear the tolling of the bells -
Iron bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people - ah, the people -
They that dwell up in the steeple,
All alone,
And who, tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone -
They are neither man nor woman -
They are neither brute nor human -
They are Ghouls: -
And their king it is who tolls: -
And he rolls, rolls, rolls,
Rolls
A paean from the bells!
And his merry bosom swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells: -
Of the bells:
Keeping time, time, time
In a sort of Runic rhyme,
To the throbbing of the bells -
Of the bells, bells, bells: -
To the sobbing of the bells: -
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells -
Of the bells, bells, bells -
To the tolling of the bells -
Of the bells, bells, bells, bells,
Bells, bells, bells, -
To the moaning and the groaning of the bells.
______________________________________________________________________________
Wales Visitation
White fog lifting & falling on mountain-browTrees moving in rivers of wind
The clouds arise
as on a wave, gigantic eddy lifting mist
above teeming ferns exquisitely swayed
along a green crag
glimpsed thru mullioned glass in valley raine—
Bardic, O Self, Visitacione, tell naught
but what seen by one man in a vale in Albion,
of the folk, whose physical sciences end in Ecology,
the wisdom of earthly relations,
of mouths & eyes interknit ten centuries visible
orchards of mind language manifest human,
of the satanic thistle that raises its horned symmetry
flowering above sister grass-daisies’ pink tiny
bloomlets angelic as lightbulbs—
Remember 160 miles from London’s symmetrical thorned tower
& network of TV pictures flashing bearded your Self
the lambs on the tree-nooked hillside this day bleating
heard in Blake’s old ear, & the silent thought of Wordsworth in eld Stillness
clouds passing through skeleton arches of Tintern Abbey—
Bard Nameless as the Vast, babble to Vastness!
All the Valley quivered, one extended motion, wind
undulating on mossy hills
a giant wash that sank white fog delicately down red runnels
on the mountainside
whose leaf-branch tendrils moved asway
in granitic undertow down—
and lifted the floating Nebulous upward, and lifted the arms of the trees
and lifted the grasses an instant in balance
and lifted the lambs to hold still
and lifted the green of the hill, in one solemn wave
A solid mass of Heaven, mist-infused, ebbs thru the vale,
a wavelet of Immensity, lapping gigantic through Llanthony Valley,
the length of all England, valley upon valley under Heaven’s ocean
tonned with cloud-hang,
—Heaven balanced on a grassblade.
Roar of the mountain wind slow, sigh of the body,
One Being on the mountainside stirring gently
Exquisite scales trembling everywhere in balance,
one motion thru the cloudy sky-floor shifting on the million feet of daisies,
one Majesty the motion that stirred wet grass quivering
to the farthest tendril of white fog poured down
through shivering flowers on the mountain’s head—
No imperfection in the budded mountain,
Valleys breathe, heaven and earth move together,
daisies push inches of yellow air, vegetables tremble,
grass shimmers green
sheep speckle the mountainside, revolving their jaws with empty eyes,
horses dance in the warm rain,
tree-lined canals network live farmland,
blueberries fringe stone walls on hawthorn’d hills,
pheasants croak on meadows haired with fern—
Out, out on the hillside, into the ocean sound, into delicate gusts of wet air,
Fall on the ground, O great Wetness, O Mother, No harm on your body!
Stare close, no imperfection in the grass,
each flower Buddha-eye, repeating the story,
myriad-formed—
Kneel before the foxglove raising green buds, mauve bells dropped
doubled down the stem trembling antennae,
& look in the eyes of the branded lambs that stare
breathing stockstill under dripping hawthorn—
I lay down mixing my beard with the wet hair of the mountainside,
smelling the brown vagina-moist ground, harmless,
tasting the violet thistle-hair, sweetness—
One being so balanced, so vast, that its softest breath
moves every floweret in the stillness on the valley floor,
trembles lamb-hair hung gossamer rain-beaded in the grass,
lifts trees on their roots, birds in the great draught
hiding their strength in the rain, bearing same weight,
Groan thru breast and neck, a great Oh! to earth heart
Calling our Presence together
The great secret is no secret
Senses fit the winds,
Visible is visible,
rain-mist curtains wave through the bearded vale,
gray atoms wet the wind’s kabbala
Crosslegged on a rock in dusk rain,
rubber booted in soft grass, mind moveless,
breath trembles in white daisies by the roadside,
Heaven breath and my own symmetric
Airs wavering thru antlered green fern
drawn in my navel, same breath as breathes thru Capel-Y-Ffn,
Sounds of Aleph and Aum
through forests of gristle,
my skull and Lord Hereford’s Knob equal,
All Albion one.
What did I notice? Particulars! The
vision of the great One is myriad—
smoke curls upward from ashtray,
house fire burned low,
The night, still wet & moody black heaven
starless
upward in motion with wet wind.
_________________________________________________________________________________
Edgar Allen Poe, circa 1845
The Bells
I
Hear the sledges with the bells -
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells -
From the jingling and the tinkling of the bells.
II
Hear the mellow wedding bells -
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight! -
From the molten - golden notes,
And all in tune,
What a liquid ditty floats
To the turtle - dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! - how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells -
Of the bells, bells, bells, bells,
Bells, bells, bells -
To the rhyming and the chiming of the bells!
III
Hear the loud alarum bells -
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now - now to sit, or never,
By the side of the pale - faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear, it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells -
Of the bells -
Of the bells, bells, bells, bells,
Bells, bells, bells -
In the clamor and the clanging of the bells!
IV
Hear the tolling of the bells -
Iron bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people - ah, the people -
They that dwell up in the steeple,
All alone,
And who, tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone -
They are neither man nor woman -
They are neither brute nor human -
They are Ghouls: -
And their king it is who tolls: -
And he rolls, rolls, rolls,
Rolls
A paean from the bells!
And his merry bosom swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells: -
Of the bells:
Keeping time, time, time
In a sort of Runic rhyme,
To the throbbing of the bells -
Of the bells, bells, bells: -
To the sobbing of the bells: -
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells -
Of the bells, bells, bells -
To the tolling of the bells -
Of the bells, bells, bells, bells,
Bells, bells, bells, -
To the moaning and the groaning of the bells.
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